In the nation’s historically black colleges, marching bands have long provided far more than “The Star-Spangled Banner” for football crowds, and none, arguably, has grown more famous than Florida A&M’s.
The group’s traditional and official name, the Marching 100, is a rare bit of false modesty: the group now numbers upward of 350 musicians, drum majors and flag-carriers. The unit has built a national, even global, following with appearances at the Super Bowl, both of President Bill Clinton’s inaugural parades, the Grammy Awards and the bicentennial of the French Republic.
The Marching 100 has created a revolution in band style, radically infusing the traditional catalog of songs and formations with the sounds and dances of black popular culture. “It slides, slithers, swivels, rotates, shakes, rocks and rolls,” the band’s founding director, Prof. William P. Foster, wrote in his memoirs. “It leaps to the sky, does triple twists, and drops to earth without a flaw, without missing either a beat or a step.”
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